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Typology of Visual Texts of Czech Experimental Poetry
Hrdinová, Tereza ; Neumann, Lukáš (advisor) ; Smrčka, Jiří (referee)
The bachelor's thesis examines the visual texts of Czech experimental poetry of the 1960s. The main goal of the work is to create a typology of the possibilities of visualizing poetic texts. The intention of the typology is to clarify the material and related terminology. The first chapter of the thesis summarizes the development of the defamiliarization of the visual component of the poetic text in the context of the history of the relationship between image and word and briefly characterizes experimental poetry in the Czech environment in a global context. The second chapter summarizes already existing typologies of experimental texts and explains the criteria by which visual poems can be classified. We came to the conclusion that in order to make the material clearer, it is necessary to sort the texts according to more than just one already existing criterion. We classify the texts in terms of the method of creation and the author's intention. The second chapter also contains the typology itself - visual poems are classified into seven types: Statistical text, Structural text, Topological text, Narrative poem, Colour poem, Obfuscation of the Readable and Overlapping. The work tries to describe various techniques of creating visual poems. Therefore, it focuses mainly on the description of the way...
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Concrete Poetry: the Case of Augusto de Campos
Korpaczewski, Pavla ; Grauová, Šárka (advisor) ; Dufková, Vlasta (referee)
The dissertation is divided into sevenparts. The opening part is about the phenomenon of the experimental poetry in general. The second one describes the historical background, the roots of the experimental poetry in Brazil. The third part is devoted to a poet group Noigandres - I write about its foundation and bring a brief synopsis of the editing of the magazin-book noigandres. Main body of my work is about the creative activity of a brazilian poet Augusto de Campos as is summoned in a compilation Hail to the shout (VIVA VAIA Poetry 1949-1979). I focus on his first book of a concrete poetry without a poet (poetamenos, 1953) which presents a new way of organizing the words on a page and the book Bestiarium (Bestiário, 1955) in which appears a transformation of a lyrical subject. From the original point, where the poet expresses himself through the fragments of text, to the point where the poet defines himself through his absence as a situation lyrical subject. He calls himself a designer, who designs/casts the structure of a poem, like in "Tension" (Tensão) analyzed in this dissertation. In 60's the poet gets more interested in a political and performs so-called step of participation (salto participante) - he exploits the form of a montage and a collage to create an immediate and direct impact on...
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Language and its Horizon in Czech Contemporary Art
Jakš, Filip ; Pech, Milan (advisor) ; Baladrán, Zbyněk (referee)
This paper proposes to explore language as an expressing medium for contemporary czech artists. Many of them uses analogical creation ways as the experimental poets did in the sixties. First part of this paper focuses on terms of semilogy and post-structuralistic philosophy and their influence over expressions of artists from range of experimental poetry. It is going put the accent mainly on their art invetnions, that have impact untill today. From this experience, the endeavour of contemporary artists origins to determinate, or cross the borders of their own expressing abilities. Based on analysis of selected czech contemporary artworks, the second part of this paper will try to describe the search of horizont of language as an expressing medium for contemporary czech artists.
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Vinšová, Michala ; Veselá, Gabriela (advisor) ; Žárská, Monika (referee)
The thesis deals with the history of Czech artistic translation in general and with the diachronic examination of Josef Hiršal's translation method in the area of translation poetry from German in particular. In the sixties Josef Hiršal alongside with his life and artistic partner Bohumila Grögerová was the main promoter and initiator of experimental poetry in Czechoslovakia. He devoted to experiment not only in his own work but also in translation. It was to his merit that Czech readers could familiarize themselves with the work of current foreign experimental poets, both in anthologies and in independent collections. Speaking of German language area he was consistent in translating Ernst Jandl, Hans Carl Artmann and Helmut Heißenbüttel. The practical part of this work is dedicated to the analysis of translation of selected poems of the mentioned trio using the hermeneutical approach. Hiršal translated from the whole range of other languages (using language cooperation), thanks to which he left a remarkable trace in the history of Czech translation from the second half of the twentieth century. Interestingly enough, his contribution to translation has not yet been subjected to critical analysis. The thesis aims to cover at least partially Hiršal's translation work, specifically in the area of...
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The Poetics of Structures
Kšicová, Barbora ; Karkanová, Hana (referee) ; Kocman, Jiří Hynek (advisor)
The practical thesis is based on a visual experimental poetry and its sign system. I am working with own sign system which was inspired by organized fence's structures. These structures were depicted by typographical signs which creates a new graphical compositions. Whole work is organized into three separated author's books. Their interconnection is emphasized by putting into a common case. The first book entitled Poetry of structure – Inspiration establishes contact with readers by means of photographs of spaces and fence's structures. The second book entitled Poetry of structure – Manual is an interlink of the work which informs readers both with the fence's structures and with the typographical compositions. Confrontation of the fence's photographs with the typographical compositions developed an advancement of the reality transformation to the abstract structure. The third book entitled Poetry of structure is the integral poetic anthology. The book presents both the blind blocking of typographical compositions themselves and the final experimental poems based on them.
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